“Revolutionary kehlaane ki bhi shartein hain. It tells a story of an individual, his ideologies and his view of the world that rely almost solely on his experiences. It doesn’t reduce individuals to generalities or distil their complexities. The film is as interested in the freedom fighter as an individual as it is in the revolution he strived to move towards. The film brings to us a revolutionary a revolutionary due to his experiences. No Anthem, No Flags: How Sardar Udham Regulates Its Nationalism There's plenty of it here.A period film that revolves around freedom, patriotism and nationalism, Sardar Udham, before all else, speaks to us on a level of humanity itself. Tu sum it up, Gadar is a true cinematic experience fulfilling exactly what cinema is all about in the end: entertainment. Amrish Puri is excellent because he always is although his part veers into caricature, and Lillete Dubey is very good, too. I wish she made more use of her tremendous potential. His leading lady, Amisha Patel is luminous in a beautiful performance that remains her best work to this day. I've liked him ever since his debut back in 1983 with Betaab, and here he gives a passionate, intense performance both in the early portions where he brilliantly plays Tara's innocent shyness and wholesome personality and in the later parts where he turns into the fierce action star he is known to be. Sunny Deol is tremendous in the lead role. Yes, some of the later parts get overblown both emotionally and in terms of the portrayal of the animosity between the two sides which is really a little childish and hard to believe, but it's a movie, and it's all within the context of a mainstream Hindi film. The traditional music is wonderful, and Uttam Singh can always be counted on to deliver beautiful melodies. The film's huge tonal shift from brutal riots to pure romance and marital bliss to action-packed thriller makes the entire experience into quite an exhilarating rollercoaster ride. The sets and costumes are excellently chosen to create the desired atmosphere of that era. The production values in this regard are fantastic. The action that follows is excellent, and their escape later on is one of the most thrilling, entertaining and well-shot sequences of its kind. The romantic portions are beautiful and actually quite subtly done (note the scene where Sakeena helps Tara wear his turban, or the scene where she confesses to him - wonderful). The proceedings move at a fast pace, and even more so as the story unfolds. The film is thoroughly watchable and interesting, and it keeps the viewers (well it kept me, for sure) on the edge of their seats for its entire duration. Gadar is not a historical film, but it's quite a remarkable epic film in its extraordinary entertainment value. He takes her under his protection and gives her shelter in gratitude of her kindness to him before. Tara, aiming to kill Muslims, is shocked to find Sakina, whom he used to know years before Partition. The film presents the atrocities of war during Partition, with particular emphasis on the Punjab riots, where Hindus and Muslims kill each other on each group's migration to their destined country (India/Pakistan). Set during the 1947 India-Pakistan Partition, the film tells the love story between Tara Singh, a Sikh truck driver, and Sakina, a girl coming from an aristocratic Muslim family. Indeed, Gadar is pulp history, and it's not the best picture in its presentation of the warring sides.